(This post has been moved . . . )

. . . to here.

The "GlamROccuLibrarymentary Trailer Shoot 1"

Since we don't have a cart yet, we pulled together a script consisting of short chunks of text describing the project and a bunch of relevant quotations from writers and artists through the ages, and we invited passers-by to read whatever bits they liked best while we videotaped them, with the idea of editing them into a promo. The response was enthusiastic, and we got some great footage, shared some good info, and everyone had a great time. We think we'll do it again.

The second photo shows our ultra-hot GlamROccuLibrarians, Sally Glass and George Quartz. We also made some cool little 'zines to hand out.

We were too busy shooting video to get many photos, so if you happen to have any, we'd love to see them.

If you'd like to get involved, we could use:

POPLAB (bookbuggy) builders
Librarians (real or artificial)
Artists
Grant writers or other fund raisers
People who can recruit others
People who can organize others
People who can pitch in now and then
Make us an offer!

You're invited to help us co- re-create reality, only better!

UPDATE: Nice mention by Margaret Meehan in Glasstire!

An installation of the sandwich boards, 'zines, and props remains on view at the Shamrock (along with the rest of the Fallas Dart Air), on Sat. afternoons or by appt. until 4/28, at 4312-1/2 Elm St. between Peak and Carroll.

FURTHER UPDATE: You can download PDF files of the sandwich boards here. They're standard poster size and print-ready; feel free to use them in your own OccuLibrary incarnations.

OccuLibrary Project Debuts Tonight

At the The Fallas Dart Air, 5 - 9PM, at Shamrock Hotel Studios, 4312 Elm St., Dallas between Peak and Carroll (more details at the link): GlamROccuLibrarymentary: Trailer 1 Shoot (2012), by Carolyn Sortor and Lizzy Wetzel, with performances by Sally Glass and George Quartz. The Fallas Dart Air is occurring the same weekend as the Dallas Art Fair. (Photo right by P. Peniweight).

We haven't got a cart built yet, but we've made some pretty fine printed materials for our p.r. debut (p.r. being 1/2 of what this project is about anyway. You can click on the image below left for a more legible version; or contact us if you'd like a hi-res pdf).

The show also includes work by lots of other great artists: Kristen Cochran, Lanie Delay, Vince Jones, Kirsten Macy, Margaret Meehan, Ludwig Schwarz, Marjorie Schwarz, Edward Setina, Lizzy Wetzel, and open studios of Lily Hanson, Peter Ligon, Marianne Newsom, Brian Ryden, Noah Simblist, Sunny Sliger, and Saul Waranch.


Many thanks to Peter Ligon for creating our illustrious venue, organizing the show, and encouraging us to debut the project there!

(Click on the images for larger versions. B.t.w., if you'd like to help build a cart, pls contact us!)

Thought for the Night

I dreamed this the other night:

Occupy Libraries Around the World

. . . in pictures, at The Guardian.

As I understand, most if not all Occupy libraries contain whatever materials anyone cared to donate, including books from all points along the political spectrum (see, e.g., the description of the OWS-NY library here).

Presentation by OWS-NY Librarians

. . . here; a great read. In one part I especially liked, they read a letter they'd received from protest librarians elsewhere:

Hi Peoples Library!

Cheers from the public library of the Spanish revolution occupation at Madrid!

. . . . We have been following OWS from the very first day and let’s say we are glad to see that you found the way out to organise you up almost in the same way we did while we were camping at the city hall square in Madrid at Puerta del Sol.

What we saw [in] the pics of OWS was quite impressive, but you couldn’t imagine how surprised we were when we realized that OWS has also a library. It may sound stupid but when we knew that, we celebrated it as the born of a new one in the family.

. . . [D]uring the nearly seven weeks we lived there hearing the rain fall over the piece of plastic that barely covered our books (not us) we had a lot of time to think about what we were going through. The media described us as bums, the government as the most dangerous kind of terrorists (the pacifists kind) and we slept always waiting for the final police riot that would throw everything down. . . . We never knew what we were doing, we only knew that it was right. People said it was useless to demand a U-turn in local politics in a country with a globalized economy. We replied if so, that we expected to make our demands go global then, they said it was a childish dream and they laughed . . . .

We only want to thank all of you to be there, because maybe you don’t realize it, but you’re making our dream come true . . . . Obviously to do the right thing, far from being a utopia or related to culture, is a matter of common sense.

We should say that none of us decided to open up a library during our occupation, it appeared by itself. People who came to support us wanted us to have some of their books, they wanted us to read and to take care of them. We started out only with forty titles. People came up to rest from the everyday routines, trying to find a shelter in the written words under our blue tent, poets showed up to read them their works and free thinkers their essays…The manager of one major corporate library in town gave us book-carts and everything we needed. “Just don’t tell anyone” he asked. One donation come after another and in a few weeks we reached nearly four thousands titles at our outdoor library. A funny heritage to save considering that we were waiting to be bludgeoned and evicted from one minute to other . . . .

* * * * *

Pd[sic]: Sorry for our lousy English.

[Emphasis and minor editing supplied.]

Among other interesting items from the OWS-NY librarians' presentation, they mentioned that prior to the Nov. 15 eviction, their library had catalogued 4,000 books, and they had a tent, shelves, tables, chairs, bins, laptops, and misc. supplies. As part of the post-midnite, surprise eviction, virtually all of it was hauled off by NY authorities in garbage trucks. "Shortly after the raid, the Mayor’s office sent out a picture via twitter of some books on a table, saying that the People’s Library was safe, and that we would be able to go recover it." In fact, the librarians were able to recover only 802 of the library's books, nearly 300 of which were in only marginally usable condition, and none of the other property.

Lots more at the link, including a description of the library's innovative organizational/decision-making structure/procedure.

Intro

Most Occupy camps had library tents, including the camp in Dallas; and when the camps were evicted, the libraries were largely destroyed.  (In New York, e.g., camp librarians had catalogued some 4,000 books, out of which only 802 were recovered, many  in barely usable condition; and their laptops and other property were destroyed.)

We're interested in creating art-assisted reincarnations of these libraries.

More particularly, the project mission is to use aesthetically-informed strategies to lure artists and other citizens toward info that can help empower the 99%, as well as to foster critical and cultural awareness in general.

We plan to begin with the creation of one or two "bookmobile" carts (one of which could live in a gallery or community space, while the other hits the streets). Tentatively called the "People's Occupy Pop-up Library All-terrain Bookbuggy" ("POPLAB"), and possibly consisting of a suped-up, book-filled laundry cart or other mobile unit w/ excessive tires + an eye-catching sign, which could perambulate populated public areas in an amusing/alluring manner. (Click on the image for a larger version.)

Additional evolutions could include a pop-up library installation (the "People's Occupy Pretty-big Top Education + Networking Tent" ("POPTENT")? that could temporarily live in available gallery spaces, school campuses, community centers, etc. It could host performances, art talks, screenings, readings, etc., as well as books, videos, + other materials.

Artist-modified or -created books or information packets + an open-call, blind-curated art show are some other ideas. We'd like to hear yours!